In 2017, The Handmaid’s Story hit the scene like a intestine punch. With its Hulu adaptation arriving proper after the Trump election, Margaret Atwood’s imaginative and prescient of a theocratic nightmare felt too actual. Everybody out of the blue requested, “Is that this our future?” It made complete sense why liberals had been clutching the e-book prefer it was a crystal ball. Atwood had a knack for hitting on well timed points like local weather change and feminist fears—issues we had been all beginning to really feel in 2017.
However right here’s the factor—when The Handmaid’s Story e-book first dropped in 1985, it wasn’t precisely a slam dunk. Critics had been break up. Whereas some noticed it as a feminist masterpiece, others had been skeptical. The New York Instances had a tough take from Mary McCarthy, calling it “too apparent” and missing the depth to again up its chilling premise. In the meantime, The San Francisco Chronicle prompt Atwood was getting defensive in interviews—hardly a glowing endorsement.
However not everybody was on the hate prepare. Joyce Johnson from The Washington Publish vibed with the e-book, calling it “completely convincing” and praising the voice of Offred, the principle character. The New York Instances even got here round, calling it a “taut thriller” and recognizing it as each a psychological research and a political commentary. Atwood was clearly onto one thing along with her feminist dystopia, warning of a future the place ladies’s rights are stripped away. It felt like a warning shot we didn’t know we wanted but.
Nonetheless, there have been a lot who weren’t having it. Kirkus slammed the e-book for being too cynical and chilly. The New Republic wasn’t too impressed both, calling it a “check of feminist paranoia” and criticizing the e-book’s skinny world-building. After which, the harshest critics got here out swinging. Owen Gleiberman from EW known as the 1990 film adaptation “paranoid poppycock.” Ouch.
By 2017, The Handmaid’s Story TV present blew up. What was as soon as a controversial e-book turned a cultural second. Atwood’s dystopia completely mirrored the instances, proving that the wildest tales typically stick round and make you rethink the whole lot.
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