Jason Statham’s newest motion flick didn’t land with a increase in theaters, however make no mistake, A Working Man would possibly simply be his most underrated function so far. The David Ayer-directed motion thriller quietly hit theaters within the U.S. earlier this 12 months, however didn’t get the field workplace adore it deserved. Now that it’s streaming on Prime Video within the UK and obtainable digitally for rental within the U.S., followers are lastly beginning to catch on. The catch? It’s nonetheless not free for Prime subscribers stateside but. Nonetheless, A Working Man is producing chatter. And deservedly so.
Did Jason Statham Simply Drop His Grittiest Position But In A Working Man?
This isn’t simply one other “Statham saves the day” film. It’s one thing sharper. Grittier. Extra grounded. As Levon Cade, a former black ops soldier turned blue-collar employee, Jason Statham dials down the wisecracks and brings quiet depth. When his boss’s daughter is kidnapped by human traffickers, Cade trades within the hammer for heavy firepower. It’s private, brutal, and refreshingly stripped-down.
This standalone gem comes throughout an interesting shift in Jason Statham’s profession. After years of banking on franchise flicks like The Expendables, Quick & Livid, and The Meg, he pivoted. First with The Beekeeper in 2024. Now with A Working Man. And subsequent up? Mutiny, one other authentic motion thriller slated for 2026. No sequels. No convoluted timelines. Simply tight, one-and-done punches to the intestine.
Certain, A Working Man didn’t crush it critically. Its 49% Rotten Tomatoes rating had skeptics yawning — however the 87% viewers ranking tells a distinct story. Many viewers name it one in every of his finest but. And with $100 million on the international field workplace on a $40 million funds, it didn’t bomb. It simply didn’t explode prefer it ought to’ve.
And right here’s the place it will get fascinating: the movie’s script was co-written by none aside from Sylvester Stallone. Yep, the Expendables connection runs deep. The forged — Michael Peña, David Harbour, Jason Flemyng — rounds it out with a mixture of muscle and temper. And the story? Based mostly on Chuck Dixon’s Levon’s Commerce, which has franchise potential written throughout it.
“Levon Cade left behind a adorned navy profession within the black ops to dwell a easy lifetime of working development. Nevertheless, when human traffickers kidnap his boss’s daughter, his search to convey her house uncovers a world of corruption far larger than he ever might have imagined.” That’s the official synopsis, and it hits more durable on display than it does on paper.
The underside line? A Working Man deserved higher. It’s not only a first rate motion flick; it’s proof that Statham’s pivot to standalone roles isn’t simply sensible; it’s obligatory. After franchise fatigue and some field workplace misfires, this grounded, brutally environment friendly model of Jason Statham is perhaps his most compelling but.
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