The Revenant entered Quentin Tarantino’s firing line again in 2020, not as a result of it’s linked to the opposite movies he was initially speaking about, however as a result of he noticed one thing in it that reminded him of a sure form of film he doesn’t look after.
He began with a assessment of I Escaped from Satan’s Island in a private essay for his New Beverly Cinema, then detoured to Papillon and landed on Alejandro G. Iñárritu’s survival epic. It’s a traditional Tarantino transfer. He initially follows one thread, then jumps to a different earlier than touchdown someplace else totally, pulling collectively movies that hardly share a timeline or a tone.
Some of the impactful scenes ever!
Leonardo DiCaprio and the Bear assault.
The Revenant
2015 ‧ Western/Motion ‧ 2h 36m pic.twitter.com/5h7IlBEauY— Unlikely Content material (@UnlikelyContent) April 16, 2025
Quentin Tarantino’s Cinematic Tangent
In the case of the primary two motion pictures, at the very least Satan’s Island and Papillon share some DNA. They each got here out in 1973, they usually each inform tales about brutal jail escapes, in line with Far Out Journal. Whereas one was low-budget and rushed into theaters, the opposite one was polished and star-driven.
Tarantino appreciates Papillon and even considers Steve McQueen’s work there to be his strongest dramatic efficiency, and he has a uncommon 35mm print of the movie to again that up. He’s keen on it, even when he can’t assist poking enjoyable on the extra of close-up photographs. Nevertheless, issues take a dramatic flip with the arrival of The Revenant.
Quentin Tarantino Believes The Revenant Fails To Entertain
The place Papillon nonetheless managed to have its moments, The Revenant, in Tarantino’s view, feels prefer it forgot the viewers someplace within the snow. It appeared to him extra like a movie making an attempt very onerous to be vital, with out providing a lot in the best way of engagement or spark. Even Leonardo DiCaprio’s dedication, as grueling because it was, didn’t fairly land for him.
“The movie’s additionally not a bit pretentious, self-consciously arty, unrelentingly grim, extraordinarily gruelling, and apart from Dustin Hoffman holding a bankroll and an additional pair of spectacles up his ass, utterly devoid of leisure worth,” the Kill Invoice director wrote. “Qualities it shares with The Revenant, a lot in order that Iñárritu’s movie might be titled Papillon Half 2.”
Ultimately, Quentin Tarantino is just not trying to rain on the awards parade, however it’s clear he prefers grit with a bit flash, struggling with some showmanship. If a personality is crawling by snow, at the very least give him one thing intelligent stashed someplace bizarre.
For extra such tales, take a look at Hollywood Information
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