In 2018, Miley bought hit with critical authorized warmth over We Can’t Cease. Jamaican songwriter Michael Could, aka Flourgon, dropped a $300 million lawsuit on her, saying she jacked his 1988 reggae banger We Run Issues. Speak about a wild declare.
The guts of the meat? Flourgon argued Miley’s tune “considerably included” his vocal model, rhythm, and melody. The kicker? Each songs have an virtually an identical hook. Flourgon’s lyric was, “We run issues. Issues no run we.” Miley’s? “We run issues. Issues don’t run we.” It’s considerably onerous to disregard that, proper?
Could wasn’t simply going after Miley Cyrus—he went after her entire crew, together with producers Mike WiLL Made-It, Rock Metropolis, and the large gamers over at RCA Information and Sony Music. He wasn’t simply on the lookout for a payday, both. He wished We Can’t Cease to be pulled from gross sales and performances. Speak about going all in.
We Can’t Cease was a large hit for Miley, marking the beginning of her wild Bangerz period. It hit No. 2 on the Billboard Sizzling 100, however sarcastically, it couldn’t even snag the highest spot as a result of Blurred Traces was nonetheless crushing it at No. 1.
And Blurred Traces had its personal authorized drama, by the best way—keep in mind that entire Marvin Gaye lawsuit? The swimsuit finally settled, and whereas the settlement particulars are tight, either side agreed to finish the case with “prejudice,” which means it couldn’t be refiled. And that was that.
Miley later opened up about Wrecking Ball—her different iconic monitor—and admitted she felt much less impressed with it over time. “I ought to f***ing be grateful daily for that tune,” she mentioned. “However it doesn’t mirror who I’m now.” The identical in all probability goes for We Can’t Cease, however each songs had been essential in shaping her profession.
So yeah, whereas the lawsuit might have fizzled out, it added a twist to Miley’s Bangerz chapter.
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