Image this: Superman however with Prime Gun vitality—blazing motion, dizzying digital camera angles, and possibly even a volleyball montage. Seems, Tony Scott, the thoughts behind Prime Gun, was this near directing Henry Cavill’s Man of Metal. Yup, the 2013 Superman flick virtually had Maverick-level depth.
PictureScreenwriter David S. Goyer dropped this bombshell on the Completely happy Unhappy Confused podcast, revealing that Scott and Zack Snyder had been the ultimate two contenders. “Chris [Nolan] met with about 5 administrators, and it got here right down to Zack and one other director,” Goyer shared. That “different director” was none apart from Tony Scott. “There’s a model of a Tony Scott Man of Metal in some parallel universe. That’s a film I’d have appreciated to have seen.” Truthfully, I’m the identical.
PictureSnyder finally snagged the gig, bringing his gritty, handheld model to Kal-El’s origin story. Goyer referred to as the selection “good,” however think about Superman with Scott’s hyper-kinetic storytelling. Explosions, adrenaline, and possibly Superman fistfighting Zod within the rain with a Hazard Zone-esque rating.
As a substitute, we obtained a moody Superman reboot that cut up critics however raked in $668 million worldwide. Cavill’s Clark Kent confronted Michael Shannon’s intense Normal Zod, delivering epic battles and a controversial neck snap. Like it or hate it, Man of Metal launched the DCEU.
Then got here the curveball: a sequel wasn’t within the playing cards. As a substitute, Warner Bros. morphed the story into Batman v Superman: Daybreak of Justice. Cavill’s Superman confronted Ben Affleck’s broody Batman whereas assembly Gal Gadot’s Marvel Lady. The film arrange the DCEU, killed off Superman (briefly), and opened the door to Justice League.
PictureCavill’s Superman returned for Justice League (each variations!) and wrapped up with a cameo in Black Adam—a bittersweet goodbye for followers.
PictureNow, Superman is flying into James Gunn’s territory with Superman: Legacy. David Corenswet will rock the cape, whereas Rachel Brosnahan takes on Lois Lane. Gunn calls it a “office origin story,” so count on Clark Kent to navigate deadlines and Kryptonian crises. Filming kicks off in 2024, however plot particulars are underneath wraps.
PictureStill, Goyer’s “what if” has us spiraling. Tony Scott’s Superman? Excessive-octane flights, sharp cuts, and Scott’s trademark storytelling? That might’ve been a cinematic joyride. In a parallel universe, Kal-El is punching Zod in opposition to the backdrop of a fiery Scott sundown. What a journey that might’ve been.
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