Terrace Martin and Kenyon Dixon know the best way to set a mellowed-out temper, however “WeMaj” steps in as hip hop with soul and jazz sewn deep within the seams. Terrace will get issues transferring from the soar: thick, body-shaking kicks and rimshots that snap in a gap drum fill, all respiratory that West Coast jazz air. The muse is reside drums that bump, watery celeste keys shining over a effervescent bassline, and funky sax traces drifting on the edges. All of it rides out like a late-night session at Martin’s beloved Crenshaw-repping studio: hermetic and unforced.
Kenyon’s verse slides in smooth, his tone all singer’s heat however with that simple emcee swagger. He floats someplace between a crooning baritone and slick speaking in your ear. His metaphors pull from jazz and R&B, weaving slick wordplay with simply sufficient tease. Each line lands as cool as a West Coast breeze, by no means forcing the groove—simply driving it.
Then Rapsody pops up and the vitality pivots only a bit. She brings sly music concept flips, threading intelligent bars by means of the modifications and including some teasing sunniness to the combo. Her wordplay is – as anticipated – sharp. But it surely’s additionally flirty and playful in a “grown girl biz” type of method. She matches Terrace’s laid-back swing with simply sufficient sunny appeal, so the observe stays fascinating to the tip.
That is a type of connections that seems like three mates, catching a groove, and letting the magic do what it does.
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