The Bollywood business has at all times been identified for its pathbreaking narratives and evergreen classics. However prior to now few years, it has been scuffling with an identification disaster. Its rising reliance on remakes has drawn criticism from followers and business insiders alike. Movies like Laxmii and Shehzada, variations of South Indian hits, did not resonate with audiences. Whereas just a few remakes (Drishyam 2) have succeeded, the bulk, together with latest post-pandemic makes an attempt, have faltered critically and commercially.
Amid this backdrop, Stree 2 author Niren Bhatt has emerged as a vocal critic of the remake tradition. The sequel to the much-celebrated Stree, Stree 2, injected contemporary vitality into an business slowed down by repetitive formulation. On the seventh Indian Screenwriters Convention, the movie’s author Bhatt referred to as for disruption in Bollywood’s method, discussing the necessity for authentic content material.
Niren Bhatt says solely 2 of the 25 remakes haven’t been flop in Bollywood post-pandemic
Niren Bhatt’s remarks on the Indian Screenwriters Convention targeted on the “remake tradition” as emblematic of a deeper systemic failure. “Out of 25 remakes post-pandemic, 23 are flops,” he revealed, highlighting the disconnect between the business and its viewers. For Bhatt, the reliance on present content material displays an absence of religion in writers and their capability to craft authentic tales.
This inventive stagnation comes at a time when viewers, uncovered to various world content material through OTT platforms, demand contemporary and fascinating tales. Bhatt argues that writers are uniquely positioned to disrupt this cycle. “Your entire system is damaged. So, solely disruptors will survive, and writers are the most important disruptors. People who find themselves sticking to their weapons, their movies aren’t working. It’s the greatest time for disruption.”, he asserted. Whereas established filmmakers usually play it protected with tried-and-tested formulation, Bhatt sees alternative in upheaval.
Bhatt’s Maddock Horror Comedy Universe goals to construct franchises organically with authentic and refreshing content material. The overwhelming failure of remakes additionally tells a bigger story: audiences can’t be received over by repackaging alone. Niren Bhatt’s first Bollywood film as a author was Loveyatri, impressed by the Telugu movie Devadasu. Nonetheless, the author has since gone on to create authentic tales which have carried out critically and commercially nicely.
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