From the start, Hawkins gave the impression to be simply one other quiet Midwestern city. Secure, acquainted, and much from the type of chaos that will finally rip via its streets. However beneath that peaceable floor, Hawkins wasn’t simply ignoring the indicators, it was serving to cover them.
When Chrissy’s physique was found in Season 4, a girl on the information gave extra than simply an interview. She hinted at one thing deeper. “After Barb, it’s been one tragedy after one other,” she mentioned. The unusual half was Barb’s loss of life. It wasn’t even made public on the time. So how did the city already begin constructing this concept of a curse?
As a result of deep down, Hawkins had at all times recognized. And it selected to remain quiet.
Again in Season 1, when Will went lacking, all the city sprang into motion. However when Barb vanished, nobody appeared to care. Then got here the faux Will physique from the quarry, a dull decoy in a cover-up. And what did the individuals of Hawkins do, they accepted it. No questions requested.
By Season 2, the official clarification was that the physique belonged to another person. One other tragic case from one other city. Handy, simple, and clear. It gave Hawkins the right excuse to maneuver on and cease digging.
Will’s return ought to have raised doubts, however it didn’t. It was simpler to consider in miracles than in one thing darker lurking beneath their ft. The city wished to fake nothing ever occurred. That was the story they clung to. And so, they forgot — willingly.
How Hawkins Turned Worry Into A Weapon
When Chrissy died, the city didn’t seek for the reality. It seemed for somebody guilty, Eddie was the right goal. He didn’t slot in, performed Dungeons & Dragons, and wore the incorrect garments. Hawkins labeled him a killer with out a second thought.
The identical factor occurred with Eleven. One incorrect transfer, and she or he was a menace. Angela ended up with a bloody nostril, and abruptly Eleven wasn’t a grieving lady, she was a monster. The city noticed what it wished to see.
As an alternative of dealing with details, Hawkins leaned into fantasy. Dungeons & Dragons grew to become Satanic. Children with powers grew to become villains. That worry of the unknown gave individuals one thing to level at. It made them really feel secure.
However Vecna didn’t sneak in via spells or shadows. He discovered the cracks already there. Apathy, silence, denial. The Upside Down didn’t must drive its approach in. Hawkins left the door open all by itself.
This was by no means a few curse. It was about complicity.
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