Consequence’s Songs of the Week is a weekly column that appears at high quality new tunes from the final week and analyzes notable releases. Discover our new favorites and extra on our High Songs playlist, and for different nice songs from rising artists, try our New Sounds playlist. This week, Jack White rocks out with an electrical new monitor.
Earlier this 12 months, Jack White surprised-released No Title, a document our personal Wren Graves referred to as the artist’s “most pleasant solo album since Blunderbuss.” Now, only a few months later and with a few membership reveals beneath his belt, White is again with a riff-heavy B-side, “You Bought Me Looking.”
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Like probably the most bangin’ tunes from No Title, “You Bought Me Looking” wastes no time launching into its blues-rock occasion, kicking off with a really White-ian riff earlier than transitioning into lurching guitar chugs and splendidly easy, propulsive drums (I really feel like we’ve heard that dynamic earlier than, however megbe I’m incorrect…). The pendulum between these two modes swings forwards and backwards whereas White particulars his seek for… one thing.
Maybe it’s as a result of the wound continues to be recent, or possibly it’s as a result of the songwriter has publicly trashed America’s latest President-Elect, nevertheless it’s exhausting to not learn into the potential political themes hiding between the strains. With references to going excessive when others go low, needing to assist your self, and even a verse that seemingly tackles populism, there’s actually sufficient to chew on whether or not White meant that to be the case or not.
Both manner, the tune is obscure sufficient to stay a banger uninhibited by probably polarizing messaging. Crank that shit and begin looking, we promise it’ll be a great time.
— Jonah Krueger
Editorial Coordinator
Employees Picks: Finest Songs of the Week November ninth – November fifteenth
Clipping. — “Hold Pushing”
For as industrial and noisy as Clipping. is understood to be, their latest monitor “Hold Pushing” is remarkably accessible. In comparison with previous cuts, which could have constructed its respective beat off of a screeching alarm clock or partitions of harsh noise, “Hold Pushing” is downright club-ready with its bouncy synth line and sung hook. The trio by no means fails to shock. — J. Krueger
FKA twigs — “Drums of Demise”
“Drums of Demise” provides a literal interpretation of its title because the pervasive, unsettling drums lure you right into a suspenseful build-up that brims with futuristic digital manipulations. twigs’ hauntingly ethereal vocals pair seamlessly with the darkly sensual backdrop that precedes her. Am I coming into a ritual within the depths of digital hell? If twigs is main, I’ll comply with. — Nicolle Periola
Flo — “Gentle”
British R&B-pop queens FLO have touched down with a brand new full-length album, Entry All Areas, that reveals off the impeccable harmonies and addictive rhythms the trio has to supply. Every track flows so easily into the subsequent that it’s immensely troublesome to determine a standout, however “Gentle,” the romantic, sensual providing in the direction of the primary third of the LP, has to a minimum of be within the dialog. These women have the it issue, and this album is a playground for them to show it again and again. — M. Siroky
Hope Tala — “Survival”
Wrapped in Hope Tala’s clean voice and effortlessly catchy melodies, contemplation and introspection have by no means felt fairly so partaking. “What do I do know of survival?” she asks, fascinated with the generations that preceded her and the difficulties her ancestors confronted. “I needed to say one thing definitive about resilience,” the singer-songwriter revealed in a press release. “However whereas sitting with myself and the idea, I discovered that I couldn’t do this with any actual authority. I stored fascinated with my very own privilege and about how a lot worse my circumstances might be. I noticed ultimately that the track couldn’t be linear.” — M. Siroky
Huxlii — “so that is it”
The brand new single from Huxlii’s upcoming EP Odd and Ends, However Largely Ends, the artists’ first EP with Majesticsilk Data and her first utilizing a full-blown recording studio, recontextualizes Huxlii with newfound polish. Whereas “so that is it” is actually extra manicured, the track nonetheless has the daring authenticity that makes Huxlii’s work particular. — Rachel Rosenfield
Kathryn Mohr — “Pushed”
Slowcore experimentalist Kathryn Mohr has introduced her new album — Ready Room, out January twenty fourth by way of The Flenser — and shared its lead single “Pushed,” a fittingly melancholic, spacey preview. Overtop the reverbed, reversed soundscape, Mohr delicately sings, together with her voice delaying forwards and backwards till it in the end will get swallowed into the abyss. Listening to it, you are feeling as when you may fall into the abyss your self. — J. Krueger
Matt Champion feat. Deb By no means — “Ash”
It sounds prefer it’s gonna be a chilly, lonely winter for Matt Champion and Deb By no means as they discover the emotional highs and lows of a fading relationship. The plush, tender vocal supply of the duet flows harmoniously with the manufacturing’s melancholic textures. “Ash” provides a somber conclusion to Champion’s 4-track Slint’s Favourite EP. — N. Periola
Nao — “Elevate”
Nao finds otherworldly transcendence as she displays on the all-consuming emotions of falling in love. The second monitor in her untitled album rollout evokes the spirit of Saturn (2016) however feels extra polished and refined — a mirrored image of her deeper understanding of herself, her feelings, and the world she inhabits. — N. Periola
Sasami — “Simply Be Associates”
Between “Honeycrash” and “Slugger,” Sasami has already constructed pleasure for her upcoming album Blood on the Silver Display. Now, she has a brand new single out that demonstrates what the album could also be able to. “Simply Be Associates” boasts passionate lyrics that seize the depth of romance and a poppy melody that’s each tender and catchy. There may be some innocence to the sound of this track, however the total product reveals Sasami’s maturity as an artist. — R. Rosenfield
Yola — “Symphony”
Powerhouse vocalist Yola is aware of that she deserves one of the best, and that vitality is contagious on her new single, “Symphony.” There’s an anthemic, encouraging high quality to the track, notably on the growling, free-wheeling bridge. “After experiencing relationship app nightmares in these streets, there’s a sense of shock and profound shock if you meet somebody that could be a functioning human being,” she defined in a press release. She’s truthfully so actual for that. — M. Siroky
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Music of the Week Playlist: