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    Home»Hollywood»‘Severance’ Director Jessica Lee Gagné Confirms No CGI Was Used for Gorgeous One-Shot: ‘It Was the Largest Aspect Challenge of This Present’ Ever
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    ‘Severance’ Director Jessica Lee Gagné Confirms No CGI Was Used for Gorgeous One-Shot: ‘It Was the Largest Aspect Challenge of This Present’ Ever

    David GroveBy David GroveFebruary 28, 20253 Mins Read
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    ‘Severance’ Director Jessica Lee Gagné Confirms No CGI Was Used for Gorgeous One-Shot: ‘It Was the Largest Aspect Challenge of This Present’ Ever
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    There’s no CGI at Lumon, or at the very least not for that eye-popping one shot that has audiences in a tizzy.

    “Severance” cinematographer Jessica Lee Gagné, who made her directorial debut with Episode 7, confirmed to Esquire that there was no CGI utilized in a specific sequence that jumps from the workplace setting with Mark (Adam Scott) to the basement flooring. The scene in query will be watched right here.

    Gagné defined {that a} customized cable was constructed for the one-shot motion.

    “There’s a shot that goes from MDR to the management room downstairs. There’s no CGI in it. It’s all actual,” Gagné stated. “We really shot via cables. It was essentially the most laborious factor I’ve ever performed as a DP. It was the largest facet mission of this present and so many individuals participated on it.”

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    Gagné added, “It is best to see the rig for it: The digital camera goes via the interior a part of the desk. There’s a pulley shifting it.”

    She has beforehand served as cinematographer on “Mrs. America” and in addition collaborated with “Severance” director and government producer Ben Stiller for his true crime restricted sequence “Escape at Dannemora.”

    Stiller instructed IndieWire that Gagné is a real artist with the digital camera.

    “[Jessica] will not be fascinated about it as a job,” Stiller stated, “she’s fascinated about it as her artwork and an expression of who she is and what she does. And that’s one and the identical. She’s a tricky viewers and he or she must be offered on issues. She’s choosy about what she thinks is nice. And as soon as she does interact with one thing, she places every little thing into it. That’s what I actually love about working together with her. She’s simply so dedicated.”

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    That is simply the newest incidence of audiences assuming sure sequences make the most of CGI, and even AI, applied sciences. “The Legend of Ochi,” which debuted at Sundance, first acquired criticisms about AI utilization upon releasing its first trailer. Author/director Isaiah Saxon, who made his directorial debut with the function, took to X to refute assumptions that AI was concerned. A supply near A24 additionally confirmed to IndieWire that the movie was handmade. 

    “All shut and medium photographs of the Ochi are animatronics, puppetry, and swimsuit performers,” Saxon wrote in a since-deleted publish. “Wider stunt photographs are 3D animation. Six years of handmade work: puppets, animatronics, matte work, and a little bit of 3D animation. No AI. There’s the assertion.”



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