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    Home»Hollywood»Learn IndieWire’s Favourite Tales of the 12 months
    Hollywood

    Learn IndieWire’s Favourite Tales of the 12 months

    David GroveBy David GroveDecember 24, 20245 Mins Read
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    Learn IndieWire’s Favourite Tales of the 12 months
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    As we wrap up the yr, a certain quantity of reflection inevitably takes maintain. We’re taking inventory of the issues we liked finest, from movies to TV reveals, performances and scores and cinematography, oh my, and looking forward to what we will’t wait to see in 2025. Out of the blue, we’re reminded of all the great things (and, sure, there’s at all times great things) from months that beforehand felt very a lot within the rearview.

    In that spirit of celebration, we right here at IndieWire have opted to convey again an outdated devoted: an inventory of a few of our favourite (and, ideally, finest) tales of the final 12 months. From deep dive interviews to huge ticket profiles, biting investigations to considerate analyses, and loads of crucial assessments, right here’s your must-read listing of IndieWire’s 2024 hits.

    Judy Garland in 'Meet Me in St Louis'
    'Get Millie Back' episode of woman

    In brief: it’s an inventory of the tales that outlined our yr in work, in passionate movie-going, in obsessive TV-watching, and far more. We hope you’ll love (or already liked) them too.

    Take a look at all of IndieWire’s Better of 2024 protection proper right here.

    Deep Dive Interviews and Large Ticket Profiles

    Anne Thompson profiles Adrien Brody forward of the discharge of Brady Corbet’s “The Brutalist”

    Erin Strecker interviews John Mulaney as he readies to simply accept his first-ever IndieWire Honor

    Kate Erbland checks in with Glen Powell on the tail-end of a really loopy yr

    Chris O’Falt and various fantastic voices contextualize the legacy of Harris Savides

    Ryan Lattanzio speaks with Isabella Rossellini about these David Lynch rumors

    Erin Strecker talks to Rachel Bloom about comedy and dying (hand in hand!)

    Anne Thompson interviews Mike Leigh on the cusp of the discharge of “Laborious Truths” and within the midst of a altering world

    Sarah Shachat profiles the true breakout star of final, this, and any yr: Messi the canine

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    'Anatomy of a Fall' star Messi the dog in his seat at the 2024 Oscars
    ‘Anatomy of a Fall’ star Messi the canine in his seat on the 2024 OscarsScreenshot: ABC/Hulu

    Marcus Jones talks to the disarmingly open Aunjanue Ellis-Taylor about “the gradual burn of recognition”

    Kate Erbland crowns Kirsten Dunst our “most affordable film star”

    Christian Zilko goes lengthy with Kelsey Grammer as he prepares to tackle Fraiser Crane once more

    Proma Khosla talks to Carla Gugino in regards to the scene that “went towards each pure intuition”

    Christian Zilko finds out why Kevin Smith purchased his childhood theater

    Anne Thompson sat down with a really trustworthy Kevin Costner at Cannes

    Jim Hemphill talks to Michael Pressman about his beforehand deserted, now beloved “Boulevard Nights”

    Mark Peikert goes to heaven with “Lodge Cocaine” star Mark Feuerstein

    Vincent Perella talks all issues Mendendez brothers with Javier Bardem

    Veronica Flores examines the sexiness of “Challengers” with Zendaya

    How (or Why) Did They Do That?

    Chris O’Falt walks Michael Mann and his collaborators by how they formed the look of “Collateral” and “Miami Vice”

    Ryan Lattanzio dives into the ending of “Anora,” with assist from Sean Baker and Mikey Madison

    Brian Welk asks (and solutions) the massive query: How will theaters deal with that stay scene in “Megalopolis”?

    SATURDAY NIGHT LIVE -- Episode 1866 -- Pictured: (l-r) James Austin Johnson, host Nate Bargatze, and Kenan Thompson during the “Washington’s Dream 2” sketch on Saturday, October 5, 2024 -- (Photo by: Will Heath/NBC)
    James Austin Johnson, host Nate Bargatze, and Kenan Thompson in ‘Washington’s Dream’ Will Heath/NBC

    Tony Maglio offers the oral historical past remedy to a beloved “Saturday Evening Stay” sketch

    Invoice Desowitz on the “bignormous” modifying of “Dune: Half Two”

    Sarah Shachat takes a chew out of the “Sizzling Ones” manufacturing course of

    Tony Maglio affords a passionate plea for “Highway Home” in theaters, as God (and Doug Liman) dreamed

    Brian Welk examines the altering face of the documentary “Eno”

    Investigations, Analyses, and Different Nearer Appears to be like

    Alison Foreman goes head-to-head with the unusual and troubled historical past of Improbable Fest’s fights

    Chris O’Falt investigates: Did a Trump-Supporting Financier Attempt to Catch and Kill “The Apprentice”?

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    Ben Travers wonders: Is Nicole Kidman Making Too A lot TV? 

    The Perfect Couple. (L to R) Nicole Kidman as Greer Winbury, Thomas Flanagan as Broderick in episode 106 of The Perfect Couple. Cr. Liam Daniel/Netflix © 2024
    ‘The Good Couple’LIAM DANIEL/NETFLIX

    Tom Brueggemann, properly, we’ll simply let this headline stand by itself: They Don’t Climax in IMAX — or, Why Movies with Horny Sizzle Are Uncommon Right this moment

    Chris O’Falt goes to SXSW and wrestles with the inflow of synthetic intelligence in a artistic house

    Brian Welk dives into how “Terrifier 3” maximized a really small advertising funds, to scary-good impact

    Proma Khosla affords a deep evaluation of the dying of the Bollywood heroine

    Jim Hemphill examines the persevering with enchantment of Clint Eastwood as “Juror #2” arrives, alongside one other traditional

    Sarah Shachat examines the true historical past behind “Gladiator II”

    Tom Brueggemann goes in search of American cities with out film theaters, and finds far too many

    Christian Blauvelt explores the magic of ABC Information’ eclipse protection

    Marcus Jones chronicles Drew Starkey’s “Star Is Born” second at Venice

    Alison Foreman discusses the missteps of “Quiet on Set” with precise survivors

    Samantha Bergeson explores what actually occurred for feminine creatives after the yr of “Barbie”

    Feats of Criticism and Curation

    David Ehrlich evaluations Francis Ford Coppola’s “Megalopolis” (and the very future of flicks)

    Ben Travers evaluations the thorny collection “Disclaimer”

    Ryan Lattanzio falls laborious for Luca Guadagnino’s heartbreaking “Queer”

    David Ehrlich evaluations the beautiful documentary “No Different Land” out of Venice

    Wilson Chapman picked the most effective musical of all time (and 99 extra)

    ANORA, from left: Mark Eidelshtein, Mikey Madison, 2024. © Neon /Courtesy Everett Collection
    ‘Anora’Courtesy Everett Assortment

    Harrison Richlin compares Sean Baker’s “Anora” with Frederico Fellini’s “Nights of Cabiria”

    Christian Blauvelt examines the risk-taking of “The Acolyte,” and why its cancellation is dangerous for “Star Wars”

    Kate Erbland evaluations Pamela Anderson in a career-defining function in Gia Coppola’s “The Final Showgirl”

    Proma Khosla grapples with the fourth season of “Solely Murders within the Constructing”



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