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    Home»Hollywood»‘My Father’s Shadow’ Assessment: The First Nigerian Movie to Premiere at Cannes Is a Superbly Remembered Drama A few Fateful Day Journey Into Lagos
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    ‘My Father’s Shadow’ Assessment: The First Nigerian Movie to Premiere at Cannes Is a Superbly Remembered Drama A few Fateful Day Journey Into Lagos

    David GroveBy David GroveMay 18, 20256 Mins Read
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    ‘My Father’s Shadow’ Assessment: The First Nigerian Movie to Premiere at Cannes Is a Superbly Remembered Drama A few Fateful Day Journey Into Lagos
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    June 24, 1993 will change into often called some of the consequential days within the temporary historical past of post-colonial Nigeria, however — for the 2 younger boys on the coronary heart of Akinola Davies Jr.’s semi-autobiographical drama “My Father’s Shadow” — that date is destined to be remembered for significantly extra private causes. 

    It was on June 24, 1993 that Main Basic Ibrahim Badamasi Babangida, refusing to simply accept that the residents of Nigeria had overwhelmingly voted for the folks’s champion MKO Abiola, annulled the outcomes of the nation’s first democratic election because the army coup 10 years earlier. It was additionally, this poignant and vividly realized movie invitations us to think about, on June 24, 1993 that brothers Akin and Remi had been invited on a uncommon journey to Lagos with their dad, Folarin, a powerful however mysterious determine of their lives who was typically away from their household for months at a time.

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    Over the course of their wistful and chaotic journey into the large metropolis (a two-hour drive from Ibadan that turns into an odyssey unto itself, due to Nigeria’s petrol scarcity), the boys will come to see their father in an excellent new mild — one that can mild up their desires for many years to come back. 

    Set at a second when Nigeria gave the impression to be on the precipice of a brand new daybreak, “My Father’s Shadow” tempers a nascent sense of hope with a lingering air of hauntedness. The horrors of a latest bloodbath are splashed throughout newspaper headlines, however males like Folarin (“Gangs of London” star Ṣọpẹ́ Dìrísù, entrancingly powerful and tender suddenly) are keen to maneuver ahead and put money into their kids’s future — to steal it again from the army.

    “When you die for Nigeria, you die for nothing,” somebody says. Folarin would like to remain alive. 

    His youngsters barely know him, however — like most fathers, and absent fathers specifically — he looms over their lives just like the sky itself, and the boys would battle to conceive of a world with out him in it. And but, Davies, who naturally co-wrote the film along with his brother Wale, shoots Folarin as if he’s already midway gone. Regardless of the fundamental and tangible want that motivates his journey into Lagos that day (Folarin hasn’t acquired a paycheck for his final six months of labor, and the time has come to gather), there are stretches of this movie by which he appears to be a spectral projection of some type, if solely as a result of his sons have by no means seen him on this context earlier than. 

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    In the meanwhile, Akin and Remi’s imaginations are restricted to the WWF matches they stage with paper dolls, and to no matter TV reveals they’re capable of watch of their mom’s carpet fortress of a lounge; the manufacturing design by Jennifer Boyd and Pablo Bruhn is fantastically transportive with out ever calling undue consideration to itself, simply as PC Williams’ costumes handle to seize the great thing about Nigeria’s folks even within the coronary heart of a disaster. The boys are merely thrilled to get out of the home, and the straightforward journey of a visit into the town is sufficient to make Aki — the youthful and extra valuable of the 2 — giddy with pleasure. 

    However Aki can also be extra unforgiving of his dad’s lengthy work absences, and he resents Folarin for making his mom so upset. Performed by real-life brothers Godwin (Aki) and Chibuike (Remi) Egbo, each of whom carry an unmistakably lived-in high quality to their sibling dynamic, the youngsters are watchful in the way in which that kids solely might be round their dad and mom, and Folarin responds to that spotlight by performing a mottled sort of masculinity for them to observe. 

    Dìrísù’s stunning efficiency is hard however candy; it’s a profoundly hectic day for his character, however his frustration by no means spills over into the sort of anger that we’ve come to anticipate from related movies about distant and commanding males. Partly, that’s as a result of the Davies brothers’ episodic script — which might be opaque one second and overly instructive the following, in the way in which of so many debut options — is aware of to order Folarin’s rage for the struggle to come back when the solar goes down. And partly that’s as a result of Dìrísù’s method is tinged with resignation from the beginning, as if he’s already satisfied that his sons will solely ever know him of their desires.

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    “The recollections that trigger you ache when somebody leaves are the identical ones that can consolation you later,” he tells the boys earlier than letting them run free in an empty amusement park. Like so most of the places on this movie (i.e. a beached ship, a bar with secrets and techniques), it appears like a spot that’s already been gutted of every thing however the reminiscence of it. 

    And so “My Father’s Shadow” resolves as a film much less a couple of father than it’s concerning the absence of 1 — a vibrant, deeply felt love letter to Lagos, written in blood. Spotty because the storytelling might be within the area between heart-to-heart conversations and pre-crystalized strains of dialogue (“All the pieces is sacrifice, you simply have to hope you don’t sacrifice the flawed factor”), the slack that Davies creates between Folarin and his kids is so well-measured that it hurts simply to assume that one thing would possibly sever their relationship utterly. What could possibly be value such a loss, and the way would possibly a rustic hope to outlive it? 

    “Nigeria is tough,” Folarin laments, however he’s resolved to do no matter he can to make it simpler for his sons, and in addition someway lighter by the grace of his shadow. This heartfelt debut retains all of it within the household, and by the point the movie arrives at its touching ultimate moments we’re left with the straightforward reality that — no matter his flaws as a father — Folarin cared deeply about his kids’s future, and in doing so gave all of them the rationale they wanted to cherish their recollections of the previous. 

    Grade: B+

    “My Father’s Shadow” premiered on the 2025 Cannes Movie Pageant. MUBI will launch it in the US.

    Wish to keep updated on IndieWire’s movie critiques and demanding ideas? Subscribe right here to our newly launched e-newsletter, In Assessment by David Ehrlich, by which our Chief Movie Critic and Head Evaluations Editor rounds up one of the best new critiques and streaming picks together with some unique musings — all solely out there to subscribers.



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