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Lzzy Hale of Halestorm spoke with Kyle Meredith about Everest, the band’s roaring new report born from a “desert island” headspace in Savannah with Dave Cobb. Practically three many years into their run, Hale framed the album as a live-wire snapshot as a substitute of a style train: huge melodies, larger punches, and nil curiosity in coloring contained in the traces. It’s the sound of a band refusing to calcify. Pay attention above or wherever you get your podcasts.
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“We have been writing and recording in actual time,” Hale says, describing how the band ditched previous riffs and notebooks to chase no matter felt electrical that day. That gamble paid off on “Watch Out,” the place a 4:00 a.m. voice-note flipped the complete observe: “Dave’s like, ‘That’s the refrain—screw the opposite half.’”
The objective wasn’t to make a “heavy report” a lot as a real one, as Hale explains, “As soon as we begin limiting ourselves to what we expect we’re… the creativity goes out the window.” The belief fall hits hardest on the piano-lit “Darkness At all times Wins,” a tune that arrived first and landed prefer it had at all times been there. “I can hear us nonetheless with one thing to show,” Hale admits. “We jumped off the cliff and hoped we packed our parachutes.”
She additionally lit up on the point out of Nick Cave, praising the best way he can drop a single phrase—like sin—and instantly the tune carries a brand new sort of gravity. “He’s a kind of uncommon, once-in-a-lifetime artists who could be otherworldly and nonetheless fully real,” she says. “There’s this stability he mastered way back that I actually admire.”
Take heed to Lizzy Hale speak about Everest, and extra within the new episode above or by watching the video under. You can too seize tickets to Halestorm’s upcoming tour right here.
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