Lily Agnes drifts in a quiet orbit on “corduroy boy”–as if she’s thumbing by means of her personal ideas on the London Underground. Every phrase steps in prefer it’s checking its footing, spacing her phrases so silence turns into a part of the tune.
The intro units that temper proper away–just butter-soft keys, gently phased and stretched large. The chords maintain alone for a couple of bars earlier than the drums stumble in on a brief, tight roll and drop right into a padded pulse. That hush stays as Lily begins: “Is it rude to stare at a fleeting second of perfection / to take a look at your reflection, do not know you however I do not care.” Her voice hovers simply above a whisper, like she’s buzzing it to her reflection within the window, not the stranger throughout the aisle.
The shy notes of Lily’s voice flicker like hesitant glances whereas the melody strikes in a simple chug, mimicking the rhythm of the prepare beneath her. Then Alice Auer slips in on the chorus–a almost similar supply of softness, like two folks unknowingly having the identical thought on the similar time. Their voices curve round one another. catching on completely different edges once they sing, “Is it price / going 20 minutes the improper approach? / It’s been so lengthy since I’ve seen a brand new face / that your large blue eyes would possibly make me late,”
The lyrics hold near the floor: nervous arms in coat pockets, sidelong glances, the form of a what-if. That’s the quiet pull of “corduroy boy”–a tune concerning the second proper earlier than a leap which will or might not occur.
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