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    Home»Hollywood»Killer Leprechauns Don’t Have a Factor on Anthony Hopkins’ Creepy Puppet in ‘Magic’
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    Killer Leprechauns Don’t Have a Factor on Anthony Hopkins’ Creepy Puppet in ‘Magic’

    David GroveBy David GroveMarch 18, 20254 Mins Read
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    Killer Leprechauns Don’t Have a Factor on Anthony Hopkins’ Creepy Puppet in ‘Magic’
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    On Friday nights (and particular events!), IndieWire After Darkish takes a beat to honor fringe cinema within the streaming age.

    In March 2025, we’re highlighting favorites from puppeteer Paul Lewis — with Two Midnight Motion pictures (and a Muppet!) That Influenced “The Rule of Jenny Pen.”

    First, learn the BAIT: a strange choose from any time in movie. Then, strive the BITE: a behind-the-scenes breakdown of the venture’s ending, impression, and every other spoilers you’d need.

    “The Rule of Jenny Pen” is in theaters and streams on AMC + and Shudder March 28.

    The Bait: “That’s a Thousand Hours of My Life You Simply Noticed”

    If TV writing isn’t a job anymore, then TV magicians should be completely screwed, huh? Within the 1978 psychological horror basic “Magic,” Anthony Hopkins — aka everybody’s favourite cannibal psychiatrist — trades in his red-headed FBI agent from “Silence of the Lambs” for a distinct type of dinner date.

    THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE, from left: Daffy Duck (voice: Eric Bauza), Porky Pig (voice: Eric Bauza), 2024. © Ketchup Entertainment / Courtesy Everett Collection
    Deaf Movie Database

    Because the disturbed illusionist Corky, the adorned British actor (who was 41 then and as is 87 now) cuts straight into the sideshow-like motion with a terrifying first look. A talented sleight-of-hand magician with delusions of grandeur, Corky begins the movie by attempting to wow an viewers that might care much less. Quickly, he’s dressing them down for his or her callousness and disinterest, lamenting the lots of of hours of labor they will’t see and questioning if he’ll ever stay his dream of performing his act for broadcast.

    “I did all the things proper — solely no person a lot cared,” the defeated magician remarks later.

    Corky is gifted however slippery in additional methods than one, and he’ll be taking the good distance round to study a priceless lesson: If one thing is by all accounts “good,” then by definition it can’t be. Directed by the legendary Richard Attenborough (a Greatest Director and Greatest Image winner for “Gandhi”), this shaggy story from William Goldman is a necessary entry for any cinephile who likes his different screenplays. The late author’s profession ranged from the barren terror of Stephen King’s “Distress” to the plush fairytale of his owen timeless romantic comedy, “The Princess Bride.”

    See also  Alien: Earth’s Premiere Is Wild, However We Requested The Forged To Tease The Relaxation Of The Season In One Phrase, And Their Responses Have been Over-The-Prime
    Anthony Hopkins in 'Magic' (1978)
    Anthony Hopkins in ‘Magic’ (1978)Courtesy Everett Assortment

    Combining influences like multi-colored highlight gels, Goldman weaves a reasonably commonplace puppet-centric nightmare — a few predatory man nearing the tip of his rope (strings?) when he begins speaking to his ventriloquist dummy — right into a squirm-induing ordeal. Caught someplace between the creepiness of “Taxi Driver” and the unbridled depth of the actual Magic Fortress in Los Angeles, “Magic” co-stars Hopkins and the fast-talking Fat for a two-hander about self-destructive obsession within the pursuit of archaic greatness.

    Hollywood starlet Ann-Margret is reverse each of them as probably the most clearly at-risk occasion in an all-time testomony to the chill-inducing energy of Violent Desperation Cinema. Chunky and at occasions fooling nobody with its meandering character logic, there’s a purpose many of the awards this movie went to Hopkins. His efficiency “saves it” as a mainstream style advice, however for a lot of midnight film lovers, the sweetness might be within the eye of the slack-jawed puppet and hello murderous holder.

    Disquieting in that beautiful “Let’s Scare Jessica to Dying” type of means, “Magic” isn’t an apparent alternative for counter programming on St. Patrick’s Day 2025 — however hear me out. Final yr, we lined Sean Connery’s “Zardoz,” famously filmed in Eire. That sci-fi outing is little question baffling (and nonetheless value testing once you’ve acquired the time), however “Magic” is unpolished in all the appropriate methods with flecks of apparent luck glittering in virtually each scene. The film boasts the type of flaws solely actually expert artists can see of their movie and select to go away in, concurrently daring critical cinephiles to think about how this sleeper cult favourite pulled off its bag of methods whereas making their work look simple.

    See also  First Trailer for New Horror Film with 90% Rotten Tomatoes Rating Guarantees An Expertise Like No Different
    Ann-Margaret and Anthony Hopkins in 'Magic' (1978)
    Ann-Margret and Anthony Hopkins in ‘Magic’ (1978) Courtesy Everett Assortment

    Loads of music lovers don’t care about jazz, and loads of leisure followers can’t be bothered watching magic methods. However simply as Corky’s agent, Ben Greene (the unimaginable Burgess Meredith), begins to understand how rapidly his shopper is changing into unglued, “Magic” lets the playing cards fall the place they could — transferring swiftly right into a unusually haunting climax you’d be a dummy to skip.

    “Magic” (1978) is streaming free on Tubi, Peacock, Amazon Prime Video, and extra.

    The Chunk: Can You Shut Up for 5 Minutes?

    Test again in a function size. Are you watching “Magic”?

    Anthony Hopkins in 'Magic' (1978)
    Anthony Hopkins in ‘Magic’ (1978)Courtesy Everett Assortment

    IndieWire After Darkish publishes midnight film suggestions late-night on weekends. Learn extra of our deranged suggestions and filmmaker interviews…



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