It is a dream many share: pack up your troubles and escape to the Large Smoke for a contemporary begin. And that is precisely what you may discover in Netflix‘s new present Too A lot. Created by Lena Dunham and her husband, British musician Luis Felber, it marks Dunham’s return to tv after eight years. However do not anticipate a carbon copy of Women — the present takes a distinct method from her provocative hit sequence. Though it does have a look at trendy life, it leans extra in the direction of a conventional romantic romp.
With a star-studded forged, Too A lot follows Jessica, performed by Megan Stalter, a TV advert producer who leaves New York for London after her relationship implodes. Her ex-boyfriend Zev, performed by Michael Zegen, has left her for Wendy Jones, a trend influencer performed by Emily Ratajkowski, organising the premise for Jessica’s transatlantic contemporary begin. Too A lot is nearly as if Hacks and Women had a child, telling a story of heartbreak and the messy strategy of rebuilding one’s life.
Too A lot
- Launch Date
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July 10, 2025
- Community
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Netflix
Dunham herself does not paved the way this time, showing as an alternative as Nora South, Jessica’s sister. Having written or co-written all ten episodes and directed eight of them, Too A lot was a possibility to return to storytelling about modern womanhood, calling on her personal lived experiences to assist. As she informed Selection, “It is definitely not quote-unquote primarily based on a true story, however like all the pieces I do, there is a component of my very own life that I am unable to assist however inject.”
It has a distinctly British feeling, with a resemblance to traditional romantic comedies like Bridget Jones’s Diary, significantly in its view of a girl wading by way of the chaos of courting in 2025 and profession pressures. Jessica is endearingly flawed and vulnerable to overthinking. She finds herself in ridiculous and cringeworthy conditions, like when she first lays eyes on her love curiosity, Felix, in a nasty pub rest room, performed by Will Sharpe (you would possibly acknowledge him because the tour information within the good A Actual Pain). Acquainted rom-com tropes are exacerbated by a light-weight contact of social media nervousness and the navigation of a brand new city life, with Slater narrating the present, interlaced with flashbacks to her previous.
Who Is in ‘Too A lot’?
Casting Stalter as Jessica was a sensible choice — she’s a pure. Paradoxically, she gained fame by way of social media, so she is aware of the advantages and pitfalls of on-line fame firsthand. Stalter constructed her profession on-line with humorous movies and sketches earlier than touchdown her breakout function on TV in Hacks. Her efficiency anchors the sequence, taking part in out Jessica’s journey from heartbroken New Yorker to tentative London resident. Discovering humor within the character’s neuroses whereas by no means making her appear pathetic is an efficient contact.
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Folks wish to work with Dunham, and she or he known as on trusted friends for the supporting forged, akin to Richard E. Grant as Jonno, Jessica’s boss. Leo Reich makes his appearing debut as Jessica’s colleague, Boss, who’s a large Dunham fan. A Rabbit’s Foot reported that touchdown the function was “actually a dream come true” for Reich: “When the sequence (Woman’s) first aired in America, Reich — aged 13 — obtained a VPN so he may watch it.” One other co-worker, Zoey, is performed by good director Janicza Bravo, who informed The Upcoming she admired Dunham’s directing: “She says sure to all the pieces… She’s obtained actually sturdy and clear sense of what she needs… however she says sure instantly… she does not shut something down.” The present additionally options many cameos, together with the return of all people’s favourite scorching priest, Fleabag‘s Andrew Scott.
The Child of ‘Women’ and ‘Hacks’
Too A lot might not be getting the identical explosive critiques as Women, however do not let that deter you. Kaiya Shunyata said on Roger Ebert’s website, “Whereas it is a smaller story than her hit sequence Women, Dunham rapidly reminds us why she was heralded as one of many nice writers of her era.” The London Customary reported, “It’s going to make viewers chortle, it should make viewers cry. And it is one of the vital fulfilling portrayals of younger London that I’ve seen in years: it jogged my memory how a lot I like this metropolis, it made me need to exit, to pints, to pubs, to social gathering. But it surely’s not Women. Nowhere close to.” However when it comes right down to it, Dunham most likely needs to indicate a distinct aspect of the coin.
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Women was a sensation, sparking conversations about privilege, physique picture, and financial stress, uncomfortable and unafraid to make its characters unlikeable. Too A lot is softer, prioritizing the romantic comedy parts over thorny social commentary. And this makes the love-making scenes barely jarring at instances. Too A lot additionally attracts comparisons to Hacks by way of Megan Stalter’s casting — each sequence function sharp-tongued feminine protagonists going through setbacks and discovering humor within the hole between ambition and actuality. Too A lot advantages from sturdy central performances and Dunham’s heartfelt affection for the style. Specializing in Jessica and Felix’s core relationship, their pure chemistry carries the story in a grounded method to trendy love.