The 2025 film schedule has delivered thus far, and relating to originals you may watch together with your Netflix subscription, the streamer had successful with its just-in-time-for-Valentine’s-Day romantic comedy, La Dolce Villa. The story is sparked by a involved father, Eric (Scott Foley), heading to Italy in an try to cease his daughter (who’s grown however nonetheless very younger) from what he believes is a mistake by shopping for a one euro residence to repair up, prompting his love reference to the city’s feminine mayor (Violante Placido). And, the narrative blissfully does one thing actually cool with that feminine lead that we don’t typically see.
I Assume La Dolce Villa Is One Of The Greatest Netflix Authentic Rom-Coms
Whereas we’ve gotten all kinds of films relating to Netflix originals through the years, one thing that the streamer has specialised in is giving followers of the finest romantic comedies much more entries in that style. It was as I watched the 2025 Netflix launch, La Dolce Villa that I noticed it was among the many better of these choices that I’d seen.
Not solely are the characters and their motivations straightforward to get behind, with great performances from everybody concerned, however the story additionally manages to keep away from some actually drained tropes. These embrace issues like Francesca (that’s the mayor), not being comically rom-com clumsy for no good purpose, and Eric’s daughter, Olivia (Maia Reficco), truly not being an enormous brat. Actually, I cherished all of it!
And I Particularly Love That The Lead Feminine Character Has No Storyline That Entails Kids
I’ve nothing in opposition to youngsters, however the reality is that not all individuals have them, no matter their causes for that. However, regularly, whereas a male lead character of a sure age could be childless with out it being a part of his story, that tends to not be the case with feminine characters. And, La Dolce Villa utterly avoids this by having Francesca not be a dad or mum and having no story about why she doesn’t have youngsters in any respect.
On the whole, it’s far too frequent for movies (and TV exhibits, for that matter) to at the least clarify why a lady in her center years is childless, as if the viewers should want a purpose for such a factor in order that we will absolutely settle for, perceive, and even just like the character.
This tends to result in issues like temporary mentions of the feminine lead and a few earlier accomplice trying to have youngsters but it surely not understanding, or of her workaholic way of life resulting in her being too busy for one thing like elevating kids. Nevertheless, right here, Francesca has no youngsters and there’s no point out of why she doesn’t. This won’t appear revolutionary, but it surely actually is.
Similar to males, ladies are free (presently anyway) to not have youngsters in the event that they don’t need to have youngsters. And, nobody ought to want to have a purpose/rationalization/unhappy story about why any girl made that call to be OK with it, as a result of, you recognize, it’s probably not anybody else’s enterprise or alternative anyway.
La Dolce Villa is pleasing for a lot of causes, and I’m positive that the writers (Elizabeth Hackett and Hilary Galanoy) having the forethought to not make Fancesca’s story even remotely about why she doesn’t have kids will imply so much to many women. There are these of us who’re uninterested in the concept that lead feminine characters should both have or need to have youngsters, or have a part of their narrative be about why they don’t.