Whereas Bollywood followers eagerly await a sequel to Zindagi Na Milegi Dobara, writer-director Reema Kagti has a unique perspective. Identified for her nuanced storytelling and memorable writing, Kagti has contributed to acclaimed initiatives like Gully Boy, Zindagi Na Milegi Dobara, Dil Dhadakne Do, and Made in Heaven. In a latest interview, she expressed that “folks may assume she is a bit pompous” however a sequel to Hrithik Roshan’s movie ought to solely be thought of if a very compelling thought emerges.
In a latest interview with Zoom, Reema Kagti firmly acknowledged that she is in opposition to remaking the fan-favorite Zindagi Na Milegi Dobara. When requested a few movie that shouldn’t be revisited, she was clear in her stance.
Because the movie’s author, she acknowledged that some may view her opinion as biased since she co-wrote it with Zoya Akhtar. Nonetheless, she defined that resulting from ongoing stress to create a sequel, it will be finest to go away the movie as it’s—until a very compelling thought emerges.
Reema Kagti expressed considerations about sure trade practices that she believes shouldn’t happen. Addressing the problem of insufficient credit score for writers, she identified that it’s not simply writers but in addition crew members, heads of departments, and key personnel who are sometimes missed.
She described this lack of acknowledgment as alarming, emphasizing the significance of giving folks due recognition for his or her work. She additional highlighted a typical false impression within the trade, the place producers, senior writers, and administrators assume that merely taking part in discussions equates to writing, whereas the precise author’s contribution goes unrecognized.
Calling {that a} false impression, Kagti opined, “You’re taking credit score from someone who has written. So, I might wish to put it on the market, we have to make things better like this.”
In an earlier dialog with Pinkvilla, Farhan Akhtar was requested about the potential of a sequel to Zindagi Na Milegi Dobara. Responding playfully, he joked that for the reason that phrase Dobara was already within the title, they have been struggling to give you a reputation for the second half regardless of having a narrative in thoughts.
He humorously added that this was the primary time in filmmaking historical past {that a} title difficulty had stalled a sequel. Nonetheless, shifting to a extra critical tone, Farhan acknowledged the robust viewers demand for a sequel, emphasizing that the movie is deeply cherished.
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