The wings fell off the horse. I judged 14 films, after which the wings fell off the horse.
It was my final night time in Montreal on the Fantasia Worldwide Movie Competition, once I skipped all the best way from the awards ceremony to McKibbin’s Irish Pub, the annual style occasion’s unofficial headquarters for hanging out between films. I used to be exhausted from the week, however thrilled by the technical problem I’d simply seen befall the long-lasting Cheval Noir statuette, dwell and on stage.
Planting myself in entrance of some associates on the sidewalk, I smiled and sang, “The wings fell off the horse! The wings fell off the horse! Oh, my God, I swear to God, the wings fell off the horse!”
Technically talking, my musical reporting was a fib. Only one wing fell off the “horse” (extra of a pegasus, actually) in the course of the “Mom of Flies” acceptance speech on the twenty ninth version of the movie competition in Quebec, Canada. I used to be ending the final of my jury duties, when the Adams household grew to become the primary American filmmakers to win the Cheval Noir for Greatest Movie. It’s the primary competitors’s high prize, and so they discovered quicker than most that the wings on their fancy new trophy are supposed to come off.
“It felt nearly supernatural, truthfully. Nobody was touching that a part of it,” mentioned Mitch Davis, Fantasia’s creative director and director of worldwide programming. “For a second my coronary heart sank, however then everybody laughed and there was an actual sweetness to it.” All the time busy however inscrutably heat, Davis advised me that the Cheval Noir was designed to be taken aside for straightforward delivery and world journey. The enigmatic programmer has been with Fantasia since 1997 and says he’s seen this actual snafu with the wings play out on the purple carpet earlier than. That’s the form of privileged lore that comes with jury obligation.
Like most industries, leisure is about networking. Determining crucial consensus requires polling your neighborhood, and with extra movies being made and submitted to festivals than ever earlier than, who judges these competitors issues. That’s very true relating to the deluge of recent style films coming into the house annually — a actuality Davis known as each “great” and “horrifying.”
“We usually wish to have a mixture of movie critics, filmmakers, distributors, and gross sales brokers, to allow them to all be in dialogue collectively and strategy the dialog as a collective,” he defined. “At Fantasia, we want individuals who each perceive what glorious style films are, and who recognize the extent of affect they’ll have over an rising filmmaker’s profession.”
This 12 months’s wing debacle was the primary time the statue ever had an issue throughout the ceremony, however when you ask Davis and his fellow Fantasia organizers, they’d let you know one thing much more magical occurred that night time. “I truly cheered out-loud once I bought the jury outcomes,” he mentioned. “The Adams are like household.”
“Really, I don’t suppose the jurors have been conscious of what a presence the Adams have been at this competition,” mentioned Ted Geoghegan, director of worldwide communications. “There’s a like-mindedness and a kinship there that actually speaks to why all of us love all these films and all these folks. We’re bringing the correct group collectively.”
Style films are extremely stylized works of cinema with recognizable tropes and common feelings. Assume fantasy, sci-fi, romance, motion, and extra. Filmed on a microbudget, “Mom of Flies” is a lo-fi horror effort — a few sick girl and her father looking for different therapeutic from a witch — that was impressed by the Adams’ actual battle with most cancers. It was shot round their distant residence within the Catskills, however 21-year-old Zelda Adams, dad John Adams, and mother Toby Poser have been coming to Montreal for years.
“Each time we end a movie, we expect to ourselves, ‘Is that this one ok to get into Fantasia?’ And fortunately this one was,” Zelda mentioned at first of the “Mom of the Flies” acceptance speech. The filmmaker was holding the Cheval Noir and sharing how proud she was of her dad and mom when the wing fell off.
The Adams’ lengthy historical past with the competition didn’t come up for the jury. Honestly, I didn’t even find out about it. In hindsight, that was crucial for our impartiality, however one thing introduced our opinions collectively.
“I don’t know when you really feel this fashion, however I believe we finally gravitated in direction of the extra private and idiosyncratic movies,” mentioned author Payton McCarty-Simas. An writer and critic, who additionally packages for a number of U.S. style festivals, she flew up from New York to be on the Cheval Noir jury — earlier than lecturing on her guide, “That Very Witch: Concern, Feminism, and the American Witch Movie.” The educational provided her mystical experience all through deliberations, and on the ceremony, McCarty-Simas agreed that the wing falling off felt “spooky however becoming.”
“There have been a few massive standout movies that have been very showy and extra overtly massive funds,” she mentioned. “However because the movie we highlighted probably the most, ‘Mom of Flies’ speaks to an ethos that attracts out how necessary it’s to remain grounded in private storytelling.” The 2025 Cheval Noir winner for Greatest Movie additionally took residence Greatest Rating. (Of their spare time, the filmmaking Adams household is often known as the band H6LLB6ND6R.)
Even lacking a wing, they’re doing jury choice proper in Montreal. Pascal Plante gained the Cheval Noir for Greatest Movie in 2023 for “Pink Rooms,” a disturbing crime thriller that’s appropriately a few jury trial. The French-Canadian filmmaker returned to Fantasia because the Cheval Noir jury president this summer time, main the dialogue between me, McCarty-Simas, “Remedy Canines” director Ethan Eng, and George Schmalz, the vice chairman of theatrical distribution and new enterprise improvement at Kino Lorber.
Plante took fixed notes whereas we spoke however he appeared to overlook the award-worthy crush everybody had on him on the breakfast desk. “Pascal is really one in all Canada’s biggest administrators,” mentioned Davis. “He’s such an unbelievably nice filmmaker, on par with David Fincher, simply. We simply knew he can be a superb juror.”
“I grew up in Quebec Metropolis, nevertheless it was like my cinema life began in Montreal,” mentioned Plante. The filmmaker attended Concordia College, the place Fantasia has taken place yearly since he was a movie pupil. “There are a number of festivals in Montreal, however that is the cool one. I’m 36 now, and I arrived at 19. So, that is my seventeenth Fantasia however my first getting jury obligation. I believed it went effectively!”
Plante retains his Cheval Noir for “Pink Rooms” in a particular spot in his condo. He lives along with his girlfriend Dominique Dussault, who produced the 2023 Cheval Noir winner and the couple’s earlier “Faux Tattoos” and “Nadia, Butterfly.” For Plante, the winged Greatest Movie statue symbolizes the neighborhood help that’s needed for brand spanking new indie movies to thrive. Not solely did the accolade validate the work of “unsung heroes” like Dussault, nevertheless it additionally flagged Plante’s “brainier” strategy to horror as a worthwhile endeavor for the trade.
“It made sense to have ‘Pink Rooms’ at Fantasia,” mentioned Plante. “We don’t make movies for awards in any respect. That’s not likely what I’m about. However these accolades in an trade the place there are such a lot of movies, they do make a distinction. If a movie performs Fantasia, I consider it should be a beneficiant movie. They requested us to open the competition with it, and that’s such an enormous honor. Then, the award gave us an enormous trade push as a result of we had that stamp of approval.”
Plante has performed worldwide festivals as massive as Cannes, however the Fantasia viewers is famously enjoyable. (Critically, they actually meow with pleasure earlier than each movie.) Chasing down the witchy McCarty-Simas after the awards ceremony to purchase a duplicate of her guide, Plante embodies that spirit.
So does Chris Nash, the Canadian author and director of Shudder’s “In a Violent Nature.” Coming off his debut characteristic, Nash served as jury president for Fantasia’s 2025 New Flesh competitors, devoted to first-time administrators. “I principally solely measure movies when it comes to sincerity,” he mentioned. “If it feels honest and it looks like any person’s actually making an attempt to specific one thing that’s not altogether comfy to say in a crowd, then I weigh that very closely. Inside style movie, it’s very easy to insulate your self — in particular results, excessive conditions, something that is perhaps a bit abrasive to an viewers — and persuade your self that it’s a courageous factor to do. However the bravest factor to do is simply be honest.”
Reflecting on his first-ever expertise as a movie competition juror, Nash joked, “The leisure trade on the whole can be higher if I used to be the dictator of who succeeded and who didn’t.” However requested to discuss his class’s winner — Alexander Ullom’s “It Ends” — Nash spoke from the center.
“It’s a tough factor to have the ability to arrive at whether or not or not any person is being honest and telling you the reality,” he mentioned. “However all the things about it simply felt prefer it resonated, particularly with being a younger grownup and never realizing the place you’re going together with your life or what your life goes to quantity to. Do you have to simply purchase into the group and do the standard factor, or do you have to maintain preventing for one thing extra? That positively resonated with me, and the conclusion that that by no means ends. That’s not one thing that simply sticks with you in your twenties. It’ll maintain going via your thirties and forties, and you then’ll transfer out into the woods.”
Within the early twentieth century, artists in Quebec confronted important censorship due to the Catholic church. The Cheval Noir represents the political battle that pushed Montreal to change into one in all Canada’s most progressive cities — an ideology that’s been on the core of the competition since its inception.
An hour earlier than the wing(s) fell off the horse, Fantasia introduced the winners for its regional shorts competitors, Les Fantastiques Week-Ends Du Cinéma Québécois, at a special ceremony — however a number of of the primary classes introduced alongside the Cheval Noir are particular to Canada.
Carolyn Mauricette, the director of Canadian programming, chosen the jury for the Northern Excellence Award for Filmmaking utilizing the huge community of cinephiles she’s met since being a child in Toronto. (Pour one out for her favourite film rental retailer, Suspect Video, which was beloved by the town even when it closed.) “I like people who find themselves immersed, who love movie as a lot as I do,” the programmer mentioned. “However I additionally prefer to make it possible for they’re well-rounded. So, they don’t simply know horror, however they’re aficionados who watch different issues and canopy different issues as effectively. That’s important if you wish to take into account style movie — any artwork, actually — with the suitable context.”
Mauricette chooses folks the identical method she chooses movies, by balancing the political realities of her nation with the inclusive values of Fantasia. This 12 months, her jury president was filmmaker Elza Kephart (“Slaxx”) and the highest award went to Chloé Cinq-Mars, for “Peau À Peau” — or “Nesting.” “Elza is such a splendidly well-rounded individual, and she or he consults, so she was simply good for the part,” mentioned Mauricette. “We additionally need somebody who’s bilingual, and Elza lives in Montreal. We’ve got to showcase voices throughout Canada. We had one other juror who got here in from Winnipeg, which is extra out west. We’d like that variety, truthfully, now greater than ever.”
Regardless of the place you come from, Fantasia appreciates people who can put on a number of hats. Like each competition, they’ve a restricted funds. However Davis routinely checked on me to verify I wasn’t feeling burnt out doing double-duty as a decide and reporter, and once I advised the remainder of the Cheval Noir jury that I might be writing about our expertise, they appeared as thinking about my work as I used to be in theirs. And naturally, all of us liked the Adams household.
“Once you’re with a Fantasia crowd, you’re considering together with your coronary heart, aren’t you?,” Plante mentioned. “That’s not potential watching one thing by yourself, however you’re feeling it speaking with different jury members. I used to be conscious of the Adams form of, however ‘Mom of Flies’ was my first expertise with them. The gesture is so genuine, and also you hear that phrase ‘indie’ get tossed round rather a lot, however they’re an enormous discovery. If there are issues to nitpick, their movie rejects the thought of the nitpicking. Now, I wish to see all the things from them.”
Within the weeks main as much as Fantasia, I watched “Mom of Flies” and 13 extra movies — regrettably, all on my laptop computer. I additionally answered a handful of e-mails from our pretty jury coordinator, Rita Faid, and began researching the Cheval Noir. A bone-deep fan of mythology, Davis mentioned the image was chosen as a result of it might be understood anyplace.
“At its greatest, style is about social consciousness and talking reality to energy.” he mentioned. “It has represented marginalized and oppressed voices ceaselessly, and that picture felt spiritually acceptable. We knew it could resonate each with out context if want be.”
Ready for my flight from Los Angeles to take off, I texted a pal, “I’M GONNA TOUCH THAT HORSE.” It’s been a troublesome summer time within the U.S. and the promise of assembly a bunch of recent associates in Canada has saved me going for months. Once I landed in Montreal, I used to be met by Fantasia’s hospitality crew. Loading right into a van with different reporters, a number of filmmakers, and at the least one distributor, I took the passenger seat and requested the place everybody was from.
“New York,” mentioned a voice I ought to’ve acknowledged as America’s soon-to-be pioneering Greatest Movie winner. Zelda Adams sat diagonally behind me on our drive, and I didn’t notice I’d already seen her on display at first. Later, once I requested which movie she made, she mentioned “Mom of Flies.”
Shocked however doing my greatest poker face, I couldn’t consider our flights bought there on the similar time. Pretending I didn’t already love Zelda’s film, I used to be inexplicably grateful the wings on her airplane couldn’t fall off.