Venom: The Final Dance hit theaters as the ultimate chapter in Eddie Brock and his gooey alien ride-or-die. And similar to that, the trilogy wrapped with the identical messy symbiotic vitality it started with – wild swings, awkward tone shifts, and a model of Venom that by no means fairly discovered its chunk.
Throughout all three movies, Sony’s Venom franchise by no means totally embraced what made Venom, effectively, Venom. It had the items: a gritty anti-hero, many years of comedian guide lore, and Tom Hardy able to lose himself within the insanity. However the films performed it protected as a substitute of diving into the darkish and twisted world of one in all Marvel’s most terrifying characters. They leaned extra into buddy comedy than brutal chaos.
That lacking edge was the foundation of the issue. Within the comics, Venom was born from hate, cast in violence, and operated in that murky grey space the place justice had claws. However on display, he became a clumsy, slapstick alien who argued extra about snacks than morals. Sony had an opportunity to lean into the horror, the type that might have made followers flinch even whereas cheering. As an alternative, they gave us punchlines over paranoia.
Tom Hardy might’ve delivered that unhinged model. Followers knew he had it in him. He performed Bane with brute drive, introduced insanity in Legend, and gave us uncooked grit in Mad Max: Fury Street and Warrior. If these shades had coloured his Eddie Brock, we’d’ve seen the vicious protector comics followers worshipped. As an alternative, Brock turned a twitchy, overwhelmed host who by no means actually merged with the monster inside.
Even The Final Dance, pitched as a remaining farewell between two bonded outcasts, failed to point out an actual partnership. Their chemistry stayed caught in sitcom mode. The “Deadly Protector” title obtained tossed round however by no means earned. Comics painted Venom and Brock as a lethal duo, feared by enemies and typically even allies. On-screen, they couldn’t even agree on breakfast.
After which there have been the villains – forgettable, underwritten, and watered down. Carnage, some of the horrifying villains in Marvel’s rogue gallery, obtained nerfed right into a one-note CGI baddie. The core element that made him chilling, referring to himself as “I” quite than “we,” by no means made the reduce. Knull, a big determine within the symbiote mythos, barely obtained a point out earlier than vanishing like a deleted scene.
Sony had the best instruments to construct one thing daring and brutal. As an alternative, they softened each edge till nothing caught. In the end, Tom Hardy’s Venom didn’t change into the legend he might’ve been. He simply ended up swimming in a lobster tank. Seems even a symbiote can lose its identification.
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