Our recurring characteristic sequence Monitor by Monitor sees artists guiding readers by means of every music on their new launch. On this version, members of Dying Want elaborate on their third studio album, Flesh Stays Collectively.
Dying Want are again with their third full-length album, Flesh Stays Collectively. The Portland, Oregon band has been build up a powerful following since forming in 2016, hitting the highway with Spiritbox earlier this 12 months and at present touring with Poppy.
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Later this fall, Dying Want will launch their very own headlining US tour, working from a November 14th present in Nashville by means of a hometown live performance at Portland’s Roseland Theater on December twelfth, with tickets out there by way of Ticketmaster or StubHub.
In celebration of the brand new album’s launch, singer Emma Boster and guitarist Pedro Carrillo have introduced Heavy Consequence with an unique track-by-track breakdown of Flesh Stays Collectively. The pair delve into the that means and inspiration behind the LP’s 10 tracks, together with our current Heavy Music of the Week, “Revenge in Carnage.”
Under, you may stream the whole Flesh Stays Collectively album whereas studying Emma Boster and Pedro Carrillo’s descriptions of every tune. As well as, see the newly launched music video for “I Don’t Belong Wherever,” together with a full record of Dying Want’s upcoming tour dates.
“I Don’t Belong Wherever”
Emma: F**ok you. Is that what you’re going to say?
Pedro: Yeah, truthfully.
Emma: I believe it does converse for itself in that method. This observe is about feeling like an underdog, however realizing that so long as you keep true to your self and keep persistent, that no one can maintain you down.
Pedro: It’s that sentiment additionally coupled with “I don’t belong wherever and I don’t wish to,” somewhat than I don’t belong wherever and this sucks. We’re saying, “I really like this – I desire this now.”
Emma: It’s a way of satisfaction in your individuality.
“A Curse Upon Iron”
Emma: This music is written about how we’ve been deserted by God and the way we attempt to play God to one another. It’s about how finally once we try this, and once we go to warfare with each other, even if you happen to suppose you’re on the profitable facet, no one really wins and everybody turns into a sufferer of this societal illness. The “everyone seems to be a sufferer” half is actually the primary message of the music and in addition only a very exhausting breakdown.