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    Home»Bollywood»BREAKING: Max Marketing to present Zee Studios’ Marathi blockbuster Dasavatar in Malayalam, a first in Indian Cinema : Bollywood News – Bollywood Hungama
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    BREAKING: Max Marketing to present Zee Studios’ Marathi blockbuster Dasavatar in Malayalam, a first in Indian Cinema : Bollywood News – Bollywood Hungama

    Heena SinghBy Heena SinghOctober 25, 20253 Mins Read
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    BREAKING: Max Marketing to present Zee Studios’ Marathi blockbuster Dasavatar in Malayalam, a first in Indian Cinema : Bollywood News – Bollywood Hungama
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    In a groundbreaking move that redefines regional film exchange in India, Max Marketing has made cinematic history. The company will be presenting Zee Studios’ recent Marathi blockbuster Dasavatar for the first time ever in Malayalam cinemas — without dubbing the film into any major national language like Hindi or English.

    BREAKING: Max Marketing to present Zee Studios’ Marathi blockbuster Dasavatar in Malayalam, a first in Indian Cinema

    This marks a historic first in Indian cinema — where a regional film will be released directly in another regional language market, not as a Hindi or pan-India version, but as a culturally rooted cinematic experience intended for another linguistic audience.

    Directed by Subodh Khanolkar and produced by Ocean Film Company and Ocean Art House, Dasavatar will hit Malayalam cinema screens on November 21, 2025.

    This unprecedented initiative bridges India’s vibrant regional film industries in a way never attempted before. For decades, cross-regional film releases have almost always passed through a national filter — either dubbed in Hindi or adapted for pan-India audiences. Max Marketing’s bold decision to directly present a Marathi-to-Malayalam release skips that conventional route entirely.

    Speaking exclusively to Bollywood Hungama, a well-placed trade source revealed, “This is not just a release — it’s a cultural handshake. Dasavatar’s themes of faith, morality, and human transformation are universal. We wanted Malayalam audiences to experience the film as authentically as it was made, without diluting its Marathi essence through a Hindi or English intermediary.”

    Directed by Subodh Khanolkar, Dasavatar explores the symbolic and spiritual relevance of Lord Vishnu’s ten incarnations in a modern context, combining mythology with contemporary drama. The film’s philosophical depth, visual grandeur, and emotional storytelling made it one of the most successful Marathi films of 2024.

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    Produced by Ocean Film Company and Ocean Art House, the movie blends traditional Indian mythos with a cinematic language that feels both spiritual and contemporary. The critical acclaim and box-office success it enjoyed in Maharashtra prompted Zee Studios and Max Marketing to expand its reach — but in a way that preserved its regional soul.

    For Max Marketing, this move reinforces its commitment to breaking language barriers without erasing linguistic identity. The company has been steadily emerging as one of India’s most forward-thinking distributors — championing stories that deserve audiences beyond their native states.

    By presenting Dasavatar directly to Kerala audiences in Malayalam theatres, Max Marketing is signalling a new direction for Indian cinema — one where regional industries coexist, collaborate, and celebrate diversity without needing to pass through a Hindi or English filter.

    “It’s a first — a Marathi film entering another linguistic market not via translation, but through trust in the strength of storytelling,” says a trade expert. “If this succeeds, it could open the floodgates for similar cross-regional collaborations across India.”

    As Dasavatar prepares for its Malayalam theatrical release on November 21, the excitement is palpable — not only among audiences but also within the industry. This experiment could reshape how Indian films travel between regions, fostering creative and cultural cross-pollination like never before.

    With Max Marketing leading the charge, Dasavatar may well be remembered as the film that made India’s cinema truly interconnected — where stories no longer need a national tongue to find a national audience.

    Also Read: A.R. Rahman and Aanand L Rai reunite for Tere Ishk Mein after Raanjhanaa and Atrangi Re — title track crosses 65 million views and counting

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