MCU icon Elizabeth Olsen, recognized for taking part in Wanda Maximoff within the superhero franchise, has joined Oscar Isaac and Kristen Stewart for the most recent challenge by Panos Cosmatos titled Flesh of the Gods. The director, recognized for his revenge story led by Nicolas Cage, Mandy, groups up with producers Adam McKay and Isaac, as they try and discover a purchaser for the challenge at this yr’s Cannes Movie Competition.
Olsen is now hooked up to the vampire challenge written by Se7en‘s Andrew Kevin Walker and Cosmatos. Per Deadline’s report, the movie’s logline goes as follows: “Isaac and Stewart will painting Raoul and Alex, a married couple in glittering ’80s L.A. who descend every night from their luxurious skyscraper apartment and head into an electrical nighttime realm. Once they cross paths with the mysterious and enigmatic Anonymous (Olsen) and her hard-partying cabal, Raoul and Alex are seduced right into a glamorous, surrealistic world of hedonism, thrills and violence.”

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The movie marks Isaac’s first foray into the horror style, after he bought nearer to it with the scary sci-fi film Annihilation. In the meantime, Olsen’s horror expertise consists of Silent Home and Martha Marcy Could Marlene—which is not precisely a horror movie, however it’s nonetheless one of the crucial unsettling experiences you will ever have.
Of the three, Stewart is unquestionably the one with the strongest horror credentials. From The Messengers to Underwater and Private Shopper, her background in horror speaks for itself. If we’re extra particular with the style, we also needs to say that Stewart was the star of Twilight, a vampire franchise that wasn’t precisely a horror saga, however it nonetheless included some shiny bloodsuckers.
Panos Cosmatos’ Narrative Model Is Not like That of Any Different Filmmaker
Panos Cosmatos is the son of George P. Cosmatos, the director of movies like Sylvester Stallone’s Rambo: First Blood Half II and Cobra. He additionally directed the sci-fi horror film Leviathan and Val Kilmer’s Tombstone. Whereas George was typically considered as a standard filmmaker with a standard type, Panos has carved a distinct path. A wildly completely different path.
Up to now, he has directed two function movies: 2010’s Past the Black Rainbow, a visually arresting and unique twist on the sci-fi formulation, and 2018’s Mandy, a revenge film that feels as if The Texas Chain Noticed Bloodbath had been remade whereas on an acid journey. He additionally wrote and directed the episode “The Viewing,” a part of the Netflix anthology Guillermo del Toro’s Cupboard of Curiosities.
Though he is largely recognized for a peculiar visible type, Cosmatos can be recognized for his offbeat, typically nihilistic storytelling. Flesh of the Gods seems like a standard strategy to the vampire style, however this doesn’t suggest that the movie might be Cosmatos’ most conventional challenge. Quite the opposite, similar to Abel Ferrara, Guillermo del Toro and Kathryn Bigelow delivered twisted tales within the vampire subgenre with The Addition, Cronos and Close to Darkish, respectively, Cosmatos will probably tweak the principles of the customarily romantic world of bloodsuckers.
His future initiatives additionally embrace a producer’s credit score on Miley Cyrus’ musical movie, One thing Stunning, and Nekrokosm, a fantasy-horror function for A24 that guarantees to hold Cosmatos’ singular type.
Supply: Deadline