Buddies, we’re formally within the endgame for 28 Years Later, as we’re just below that very same variety of days till the movie debuts. With this being one of the hotly anticipated 2025 film schedule choices, director Danny Boyle and author Alex Garland have reunited to carry us again to the Contaminated UK – with some model new wrinkles promised as problems.
However generally the extra issues change, the extra they keep the identical. And because of a brand new scene that expands on what we learn about 28 Years Later, I really feel comfortably horrified for Aaron Taylor-Johnson’s Jamie.
This Was The Good Scene To Present After Rewatching 28 Days Later
I actually want 28 Days Later wasn’t solely in theaters for one night time, as returning to the precise theater I noticed it at in 2003 was pure nostalgia. Additionally, I want everybody may see the content material of this unique scene I am about to dive into. The broad strokes motive for that need is that I’m satisfied this slice of post-apocalyptic life was the excellent tease for die onerous followers of one of many finest 2000s films.
The transient second reintroduces us to a scene proven in 28 Years Later’s first trailer. As father Jamie (Aaron Taylor-Johnson) takes his son Spike (Alfie Williams) on a looking journey, they arrive throughout an deserted home with a dangling Contaminated. Jamie desires his son to kill this creature, as means to show this necessary lesson:
The extra you kill, the simpler it will get.
On this one scene, 28 Days Later’s themes of father figures navigating the apocalypse, in addition to killing for survival, are current. Very similar to Cillian Murphy’s Jim, our younger lead in 28 Years Later is being taught sharpen his instincts to kill a risk in a heartbeat. This solely additional convinces me that this father determine play is alluding to Aaron Taylor-Johnson probably biting it early on on this deliberate trilogy.
After Rewatching 28 Days Later, I Assume Aaron Taylor-Johnson Is Doomed
Rewatching 28 Days Later, I actually locked into the moments between Jim and his two father figures – lovable cabbie Frank (Brendan Gleeson) and the secretly sinister Main Henry West (Christopher Eccleston.) Each of those characters have differing viewpoints on survive, with Frank embracing cooperation and the Main totally taking cost.
Extra importantly, they each die by means of the occasions of the primary image – which doesn’t precisely spell a contented analogue for Jamie. It additionally doesn’t assist that almost all of 28 Years Later’s advertising appears to indicate off mom Isla (Jodie Comer) and the mysterious Dr. Kelson (Ralph Fiennes).
The latter man additionally feels poised to be an on-screen mentor to Alfie Williams, as we see him drop this piece of information in the newest trailer for the upcoming horror film:
There are lots of sorts of loss of life, and a few are higher than others.
Since we already know Fiennes’ function will increase in 28 Years Later: The Bone Temple, he’s not going wherever. However once more, 28 Days Later exhibits our hero shedding these paternal influences with a purpose to survive on this new world. My guess is that both Spike or Dr. Kelson must kill Jamie – which prompts the knowledge shared above. And as an added bonus, I feel that Cillian Murphy’s Jim may be a 3rd supply of inspiration, who might characterize the stability between the philosophies of those two males.
Accompanied by a title card that introduces 28 Weeks Later’s canon resolution, in addition to the truth that “survivors had been left to fend for themselves,” the distinction within the society Jamie, Spike, and Isla dwell in are already set. Whereas Danny Boyle and Alex Garland weren’t involved with pinpoint narrative continuity, this newest sneak peek confirmed us that the overarching themes are nonetheless a robust presence – which may require a sacrifice.
Should you’re as hyped as I’m to lock in your tickets for 28 Years Later, June third is the date when home audiences can safe their seats for no matter occurs subsequent. Which suggests we are able to all argue over whether or not I used to be proper or flawed on June twentieth, as that’s the theatrical launch date for this image, which is conveniently the weekend after Father’s Day.