In John Wick: Chapter 3 – Parabellum, touring throughout borders wasn’t a stroll within the park for John Wick. Bear in mind how John needed to traverse deserts, dodge assassins, and steer by the treacherous path to satisfy The Elder in Morocco? It was a marathon of endurance, involving a handover to the Ruska Roma for smuggling functions—discuss dedication.
However John Wick: Chapter 4? It looks as if John all of a sudden aced worldwide travelling— One minute he’s combating in Morocco; the following, he’s casually strolling by Paris. No layovers, no convoluted journeys—simply on the spot teleportation-level strikes.
How does John make these world-hopping stunts attainable now? The reply appears to lie with The Bowery King (Laurence Fishburne). Producer Erica Lee hinted at an intriguing connection: “He form of runs the underground, and it’s such an fascinating world. How does he get the weapons and the boats? He reveals up in all places. He’s the chief.” Translation: The Bowery King has some critical underground transportation magic up his sleeve. Boats, weapons, fits—you identify it. Possibly planes, too? His assets might clarify why John Wick can all of a sudden seem in Berlin or Osaka with out breaking a sweat.
However right here’s the place issues get messy. If the Bowery King can present transportation instantaneously, it raises an eyebrow-raising query: Why did John want the Ruska Roma’s assist to get to Morocco in Chapter 3 if his final benefactor was only a name away? The Bowery King’s on the spot journey help ought to’ve been the apparent reply. Plus, once we see him in Chapter 4, he casually mentions increasing into Paris. That enlargement element doesn’t fairly add up if he’s already teleporting throughout continents at will.
Then there’s The Desk, the mysterious, omnipotent syndicate that appears to have infinite assets. In keeping with Chapter 4, The Desk has eyes in all places, tech on each nook, and surveillance that ought to observe John’s each transfer. However oddly, no airport cameras or surveillance footage appear to catch John’s miraculous escapes. Regardless of the Desk’s omnipresence, John Wick in some way bypasses each safety system with zero effort. It’s a degree of plot elasticity that feels a tad too unrealistic—even for a franchise identified for its over-the-top motion.
Finally, John Wick: Chapter 4’s fast journey raises a bigger challenge. Whereas John’s teleporting antics are cool and cinematic, it undermines the gritty, ground-level realism the franchise as soon as had. Bear in mind the strain in Chapter 3, the place each border-crossing felt perilous and hard-earned? That authenticity fades when John seemingly teleports from Morocco to Japan to New York with no hitch. It’s not only a plot gap—it’s a missed alternative for the grounded journey stakes that might’ve made Chapter 4 extra thrillingly plausible.
Possibly it’s time for the John Wick universe to take a word from James Bond or Jason Bourne, the place even high-octane motion has a plausible contact of logistical problem. Just a little surveillance scrutiny, some airport hustle, a little bit of espionage crafty—it will add layers of realism that followers might sink their enamel into.
For now, although, John Wick’s world travels stay a cinematic paradox: epic, trendy, and filled with motion—however often defying logic in a manner that solely reminds us that within the John Wick universe, actuality is simply one other casualty of the battle for survival.
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