After years of documenting the viewing habits of cinephiles everywhere, Letterboxd is entering the distribution world. On December 10, the site will launch Video Store, a new VOD platform that allows users to rent a curated selection of movies curated by the Letterboxd team.
With Video Store debuting on Wednesday, Letterboxd has answered some of our questions about the previously announced platform. Video Store will use a transactional video-on-demand (TVOD) model, in which users pay to watch individual movies without any subscription fee. The product will launch in 23 countries, and the app will be available on iOS, Android, web browsers, and a variety of smart TVs.
The first nine films will be arranged into two “shelves”: Unreleased Gems, consisting of recent festival favorites that previously did not have distribution; and Lost & Found, which is comprised of previously lost or newly restored classics.
Notable titles include Todd Haynes’ 1991 debut feature “Poison,” Kiyoshi Kurosawa’s “Before We Vanish,” and 2025 SXSW premiere “It Ends.”
“Weʼre incredibly proud of what we and our community have built,ˮ Letterboxd CEO and co-founder Matthew Buchanan said in a statement. “We take their lead, and believe that has been integral to Letterboxdʼs success. They tell us what’s really happening — a 1980s action film suddenly trending, a festival title from two years ago still being added to watchlists.”
He continued, “Video Store lets us act on that real demand, whether itʼs helping a distributor unlock value from a forgotten gem in its vault or giving a filmmaker direct access to the audience theyʼve been building on our platform. Itʼs our way of saying to the industry: letʼs harness this interest to get films to the people who want them most.ˮ
Keep reading for the full slate of titles launching on Video Store, with language provided by Letterboxd.
UNRELEASED GEMS
“It Ends” (2025) – Director Alexander Ullom’s directorial debut about recent grads trapped on an infinite, nightmarish backroad made waves when it premiered at SXSW 2025, going on to win Best First Feature at Fantasia International Film Festival and the Narrative Feature Grand Jury Award at the Atlanta Film Festival.
“Sore: A Wife from the Future” (2025) – Director Yandy Laurens’ inventive time-loop sci-fi romance about a woman who travels back in time to change her husband’s destiny received eight nominations at the 2025 Indonesian Film Festival, including Best Picture, and has been selected as Indonesia’s submission for the Best International Feature Film for the upcoming Academy Awards.
“Kennedy” (2023) – Anurag Kashyap’s neo-noir thriller following a presumed-dead insomniac ex-cop seeking redemption in Mumbai’s dark streets premiered at the Cannes Film Festival in 2023, going on to screen at over twenty international festivals.
“The Mysterious Gaze of the Flamingo” (2025) – Director Diego Céspedes’ feature debut about an eleven-year-old girl protecting her town’s queer community from superstitious panic won the Un Certain Regard Prize at the 2025 Cannes Film Festival and has been selected as Chile’s submission for the Best International Feature Film for the upcoming Academy Awards.
LOST & FOUND
“Tiger on the Beat” (1988) – This legendary 1988 action-comedy starring Chow Yun-Fat and directed by Lau Kar-Leung remains a beloved classic of Hong Kong cinema. For most of the world, this is the first opportunity to see the new 4K restoration—a digital exclusive to Letterboxd at launch.
“Kisapmata” (1981) – Considered one of the greatest Filipino films of all time, Mike de Leon’s masterpiece about a young woman living under her domineering father’s suffocating control won ten awards at the 1981 Metro Manila Film Festival including Best Film and screened at Cannes. This brand new 4K restoration premieres digitally, celebrating the late director’s uncompromising vision that faced censorship under the Marcos regime.
“It Must Be Heaven” (2019) – This comedy won both the Special Mention from the Main Competition Jury and FIPRESCI Prize at the 2019 Cannes Film Festival, but its theatrical release was delayed for over a year due to the pandemic, limiting its reach despite widespread praise. . Suleiman’s distinctive visual satire continues his acclaimed tradition of observational comedy that speaks to universal themes of displacement and belonging.
“Poison” (1991) – This groundbreaking film won the Grand Jury Prize at the 1991 Sundance Film Festival and became a lightning rod in the culture wars, with conservative politicians attempting to defund the NEA over its support. The first feature from future Oscar nominee Todd Haynes established him as a fearless voice in independent cinema.
“Before We Vanish” (2017) – Based on a cult Japanese stage play, master filmmaker Kiyoshi Kurosawa’s alien invasion story screened in Un Certain Regard at the 2017 Cannes Film Festival, showcasing the acclaimed director’s distinctive take on the genre.