Our recurring Songs of the Week column highlights the perfect new tracks from the final seven days. Discover our new favorites on our Prime Songs playlist, and for extra nice songs from rising artists, take heed to our New Sounds playlist. This week, we’ve listening to tunes from Geese, Die Spitz, crushed, and others.
After — “Outbound”
If Hilary Duff’s 2003 album Metamorphosis was a sacred textual content, indie pop duo After have been on fairly the mission journey. It’s unattainable to not really feel transported to the early aughts listening to their dreamy pop-rock cuts, and even their music movies double down with of-the-era transitions and slo-mo close-ups. “Outbound” is extra wistful than their traditional fare, nevertheless it brings an irresistible sweetness and a major character vitality. One hear and also you would possibly end up pondering, “You recognize what? All the things is going to be alright.” — Paolo Ragusa
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crushed — “oneshot”
We’re again within the lush crushed universe with their new track “oneshot,” and every track off their upcoming album no scope, out September twenty sixth, has been a standout providing. “oneshot” reprises the duo’s signature trip-hop percussion however blends the contact of digital with a very good serving to of natural guitar and crystal-clear vocals. They completely seize the space between dreamy sedation and the immediacy of sturdy feelings, letting their most anthemic modes path off with a contact of reverb and a well-recognized haze. — P. Ragusa
Die Spitz — “Punishers”
“Punishers,” the most recent style of Die Spitz’ upcoming album One thing to Eat, does precisely that — punishes. Heavy, hooky, and riddled with emotions of frustration, the observe finds much-needed catharsis by way of huge guitar tones, wailing strains, and a few yelps — you realize, for good measure. It’s a banger, and one with one thing to say. — Jonah Krueger
Geese — “100 Horses”
Sure, Taylor Swift and Travis Kelce acquired engaged on Tuesday, however one thing much more wonderful occurred that day: Geese dropped this swampy, eccentric, war-themed new track, “100 Horses.” Their haywire, stressed vitality has been completely retained from their debut (which, shockingly, is barely about 4-years-old), however Geese are presently sounding like 5 totally different bands mixed into one, twisting what can be a ‘traditional rock’ sound into one thing that might simply collapse into itself. On the middle is a few significantly intriguing poetry from Cameron Winter, who swears he noticed 100 horses dancing — or was it 124? — and lands on the unavoidable reality that “there may be at all times dance music at occasions of battle.” “100 Horses” is a outstanding piece of rock music from Geese. — P. Ragusa
Julianna Riolino — “Full Moon”
Taken from her upcoming sophomore album, Echo within the Mud, “Full Moon” finds singer-songwriter Julianna Riolino locking right into a driving indie rock groove. Synth strains and the lead vocals prance over a relentless drum groove and bass line till it appears like the entire thing would possibly collapse. As an alternative, the tune blooms in an array of shimmering guitars and Riolino amping up the vitality of her efficiency, leading to a satisfying, stunning payoff. — J. Krueger
Maneka — “shallowing” and “dimelo”
This week, Philadelphia’s Maneka introduced his newest album, bathes and listens, by dropping not one however two lead singles, “shallowing” and “dimelo.” The 2 songs function the primary two songs on the tracklist, respectively, with the previous showcasing Maneka’s expertise for dynamic songwriting and melancholic atmospheres. The latter, in distinction, is blistering, noisy, and unrelenting. It’s a beautiful one-two punch of artistic, compelling indie rock. — J. Krueger
Paul Dally — “Not All Dangerous Boys Are Dangerous All of the Time”
Not solely does “Not All Dangerous Boys Are Dangerous All of the Time,” the most recent providing from Paul Dally, have an extremely enjoyable title, it’s additionally an extremely enjoyable two-and-a-half minutes of shuffling folks rock. Whereas it’s not precisely an ass-shaking membership banger, it’s a tune that’s sure to be a breezy, swinging singalong at any of Dally’s future dwell exhibits. Serving because the lead single for his latest file, RAVE, “Not All Dangerous Boys Are Dangerous All of the Time” kicks off Dally’s newest album cycle on stable footing. — J. Krueger