In 2024, Lal Salaam, starring Rajinikanth, stirred dialogue with its music Thimiri Yezhuda. The thrill centered round music legend A.R. Rahman’s use of Synthetic Intelligence to recreate the voices of late singers Bamba Bakya and Shahul Hameed. Whereas many listeners discovered the gesture touching, others questioned the moral implications of utilizing AI to revive voices of the departed.
A.R. Rahman urges warning on AI in music; says, “The songs are so filthy, It must be managed”
Sharing his perspective on the rising use of AI in music, A.R. Rahman spoke to PTI concerning the want for steadiness. He acknowledged that whereas AI presents thrilling inventive potentialities, its utility in music must be dealt with with care, sensitivity, and accountability.
Rahman said, “I don’t know what’s going to be, belling the cat. A number of the songs are so filthy, but they arrive out with the voices of standard singers. It must be managed as a result of if it’s not, there’ll be chaos.”
He additional defined, “There are each good and dangerous facets, and the nice issues must be used to empower individuals who by no means had the prospect to place their imaginative and prescient into motion. However overusing it in a foul manner is dangerous for us. It’s like mixing poison with oxygen and respiratory it in. There must be guidelines, like sure issues you possibly can’t do. Like, how they discuss ethics or behaviour in a society, that is additionally behaviour within the software program and digital world.”
The composer had beforehand addressed issues concerning the usage of AI to revive the voices of the late singers in Lal Salaam, clarifying that their households have been consulted, gave their consent, and have been compensated for his or her contributions.
A.R. Rahman additionally responded to singer Abhijeet Bhattacharya’s criticism, the place Bhattacharya had accused him of contributing to the decline of reside music and over-relying on expertise in his compositions. Abhijeet argued that Rahman’s dependence on expertise disrespects musicians who play conventional devices and that the shift in direction of digital music is leaving many instrumentalists with out jobs.
In response, Rahman defended his use of expertise, emphasizing that it’s not about changing reside musicians, however fairly enhancing the music-making course of. He added that he totally helps musicians and views expertise as a instrument to discover new inventive potentialities in music.
Rahman advised India In the present day in an interview, “It’s good in charge me for all the pieces. I nonetheless love Abhijeet, and I might ship muffins to him. Additionally, it’s his opinion, and there’s nothing mistaken with having one.”
Rahman shared, “I not too long ago arrange an orchestra with 60 ladies in Dubai. They’re employed each month and obtain insurance coverage, well being advantages, and all the pieces. In each film I work on, whether or not it’s Chhaava or Ponniyin Selvan, there are 200-300 musicians concerned, and a few songs function over 100 folks. I don’t exhibit or put up pictures with them, so folks don’t at all times learn about it.”
He additionally clarified that computer systems are only a instrument to design distinctive harmonies, enabling him to discover new sounds. He defined that hiring musicians for a venture solely to later reject their work isn’t at all times sensible. Rahman additional added that the producers he’s labored with can attest to the quite a few musicians he’s collaborated with all through his profession.
On the work entrance, A.R. Rahman is reuniting with Mani Ratnam for his or her subsequent main venture, Thug Life. Starring Kamal Haasan within the lead, the extremely anticipated movie is ready to launch in theatres throughout India on June 5.
Additionally Learn : A.R. Rahman opens up on working with Kamal Haasan in Thug Life; says, “I really feel like from the display he’s taking a look at me”
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